Philip (Philipchurch.com) and Novo discuss They Might Be Giant’s album “Flood” – a colossus of monumental proportions – focusing on its history, the unique songwriting approach and instrumentation, how John & John’s innovations were ahead of their time and how in a lot of ways they still very much are, its legacy and influence, and why the album is such a testament that there are “no bad ideas,” so go ahead and put everything on the table, including the weird, strange, and eccentric, but most importantly, that prosthetic forehead.
They Might Be Giants (TMBG) are a quirky, genre-bending duo formed in Brooklyn in 1982 by childhood friends John Linnell and John Flansburgh. Known for their clever wordplay, oddball humor, and unconventional instrumentation (including accordion, drum machines, and horns), they quickly carved out a niche in the emerging alternative music scene of the late ’80s and early ’90s.
TMBG rose to cult status with their inventive Dial-A-Song service—a phone line fans could call to hear new songs—long before streaming existed. Their DIY spirit and geeky charm caught the attention of critics and a devoted fanbase alike.
In 1990, they released their third album, Flood, on Elektra Records—marking their major-label debut and a major turning point. Flood featured some of their most iconic tracks, including:
“Birdhouse in Your Soul” – a surreal anthem sung from the perspective of a nightlight, and their biggest hit.
“Istanbul (Not Constantinople)” – a high-energy cover of a 1950s novelty song.
“Particle Man” – a whimsical micro-epic about absurdist superhero-like figures.
Flood combined infectious melodies, surreal lyrics, and brainy charm, helping bring alternative rock into the mainstream without losing TMBG’s eccentric edge. It went on to become their best-selling album and is still considered a defining release in nerd and indie rock circles.
Over the decades, TMBG have continued to evolve—scoring music for TV, winning Grammys, releasing children’s albums, and maintaining a fiercely loyal fanbase. Yet Flood remains a cultural touchstone: a brilliant, oddball gem that proved smart, strange music could reach the masses.
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